"I was reared on Bach"

I was reared on Bach. My father was virtually my only teacher, and he attached great importance to buy zetia my growing up with Bach's keyboard music. He considered it to be very important, not only for its musical and where to cheap amoxil online buy cialis in canada women viagra where to buy cialis in canada pianistic aspects, but also for everything else that is played on canadian viagra and healthcare the piano. For him polyphonic music-making was simply one of the most important issues concerning everything relating to piano-playing. In itself the piano cannot seduce by virtue of its sound alone. The listener can be seduced by the www.audrinc.com lovely sound of, for example, a violin or an oboe. The piano, on the other hand, is a neutral instrument, and the www.audrinc.com art of playing it involves a sleight of hand. It is possible to create the illusion of viagra order mail a legato on best shop for viagra the piano although, in the physical sense, it is impossible. But it is possible to create the illusion of sustained sound similar to that of a string instrument. The most important part of buy diovan online piano-playing is the symphonic element. The music can only be of interest if the different strands of the polyphonic texture are played so distinctly that they can all be heard and to buy viagra how create a three-dimensional effect - just as in painting, where something is moved into the cialis express delivery foreground and cialis tablets foreign something else into the background, making one appear closer to the viewer than the cialis express delivery other, although the painting is buy levitra lowest prices flat and soft gel viagra tablets one-dimensional. In my childhood I played practically all the Preludes and least expensive generic viagra Fugues from Das wohltemperierte Klavier and many other pieces by Bach. That was my basis. At the age of twelve I moved to Paris to buy taladafil viagra cheap amoxil online study harmony and fda approved cialis counterpoint with Nadia Boulanger. When I arrived for my first lesson, Das wohltemperierte Klavier was on the music stand of the grand piano. She turned the pages forward and real cialis online without prescription female viagra real cialis online without prescription back; finally she settled on the Prelude in E minor from Book One and how much does cialis cost said: "Right, my boy, now play it for me in A minor". She held a wooden ruler in her hand and cialis brand name every time my fingers played a wrong note she tapped them with it. Thus Das wohltemperierte Klavier became the foundation for everything. In addition my father communicated something to me that I only found expressed in words when I was an adult - in a book about Franz Liszt in Weimar. It describes how he explained to a pupil that the where do i buy cialis piano should not be cheapest online viagra played with two hands or as two units. Either you play with a unit consisting of buy diovan online two hands, or with ten units in which each finger is viagra no prescription online india independent. This is a very important piece of advice. I was really pleased to read that, because I recognised once again what my father had taught me without putting it into words. This is the only way to tackle Bach. One might well imagine a nocturne by Chopin with the melody in the right hand and the accompaniment in the left, without any polyphony. But Bach's keyboard works definitely call for ten fingers that are independent of levitra getting one another. And if they are, they can be brought together to create a unit.

One element in tonal music that is frequently neglected these days is harmony. Harmonic tensions have a crucial effect on a work and viagra how much to take the way in which it is played. Of the three elements - harmony, rhythm and rx generic viagra melody - which have such a profound influence on tonal music, harmony is perhaps the where do i buy cialis most important, because it is the most potent. You can play the same chord with millions of different rhythms. It can cope with them all without needing to cialis online pharmacy change. A melody is uninteresting if it does not move harmonically. That implies that the impact of harmony is much greater than that of rhythm and melody. And it exists in every tonal work. There are thousands of distinctions between Bach, Wagner, Tchaikovsky and cialis once daily Debussy, but they have one thing in common: harmonic impact. This implies that a chord exerts a kind of vertical pressure on the horizontal movement of levitra getting the music. When a chord moves, the horizontal flow of the music is changed. This has nothing to buy taladafil viagra do with Bach or Chopin or anyone else; in my opinion it is a law of mises.org.pt nature. The study of old instruments and sample viagra historic performance practice has taught us a great deal, but the main point, the impact of harmony, has been ignored. This is proved by the fact that tempo is described as an independent phenomenon. It is claimed that one of Bach's gavottes must be cheapest online viagra played fast and online drugstore without prescription viagra pills cost online drugstore without prescription another one slowly. But tempo is not independent! And you do not hear it! You only hear the we use it substance of the music. It is this very audibility that informs every kind of musical theory. I could develop a theory that applies to any phrase of any prelude or fugue by Bach. But all theory is buy levitra lowest prices useless if it cannot be heard when you play. I think that concerning oneself purely with historic performance practice and the attempt to reproduce the sound of older styles of mises.org.pt music-making is limiting and no indication of progress. Mendelssohn and Schumann tried to introduce Bach into their own period, as did Liszt with his transcriptions and Busoni with his arrangements. In America Leopold Stokowski also tried to do it with his arrangements for orchestra. This was always the result of buy now online cialis "progressive" efforts to bring Bach closer to the particular period. I have no philosophical problem with someone playing Bach and making it sound like Boulez. My problem is more with someone who tries to imitate the sound of that time. Knowing that in Bach's day this appoggiatura was played slowly and that ornamentation fast and copying it is not enough. I must understand why it was like that. This is why I consider a purely academic approach to best shop for viagra the past very dangerous because it is linked to cialis online pharmacy ideology and 5 mg cialis 5 mg cialis fundamentalism, even in music. Today we are witnesses to the suffering and violence that are the we use it product of fundamentalism.

In Bach's works there is a powerful bond between rhythm and harmony. There is a symbiotic relationship between these two elements which is probably unique among composers. Maybe this is what one might term the epic quality in Bach, just as there is a dramatic quality in Haydn, Mozart and Beethoven. Thanks to this epic quality everything in Bach's music achieves unity. An excellent example is the C sharp Fugue from Book One of Das wohltemperierte Klavier. It is like a dance with enormous rhythmic vitality. Any knowledge acquired when dealing with harmony is immensely helpful. Now, when I delve more deeply into or play the Das wohltemperierte Klavier, I often remember many musical experiences - with Mozart, Wagner, Schoenberg and many others - and observe that the greater the general knowledge of music, the more interesting is the performance.

Why did Bülow describe Das wohltemperierte Klavier as the viagra pfizer 50 mg Old Testament? What is the Old Testament? On the one hand it is the narrative of a people and its experiences. On the other it is a compilation of buy now online cialis thoughts about life on viagra no prescription online india this earth, love, ethics, morals and human qualities. Thoughts on canadian viagra and healthcare the experience of the past provide a statement about the present and look here also a lesson for the future, showing thoughtful people where and look here how they can find their own way. That is what the Old Testament means to me, as does every other masterpiece, including Das wohltemperierte Klavier. It makes a statement about everything that preceded it in music. It makes a statement about music in the time of buy zetia Bach. But it also indicates the viagra pfizer 50 mg direction which music might take as it develops - as indeed it has developed. For example, the chromaticism in the Prelude in C sharp minor from Book One brings Wagner's Tristan und Isolde to mind. Or the Fugue in E flat, which could be straight out of a symphony by Bruckner. In other words, Das wohltemperierte Klavier is not only the sum of everything that has preceded it, but it also points the viagra order mail way ahead. In the history of European music there are very few composers whose works that applies. This is one of the main reasons for the towering stature of Bach's music.

Mr. Barenboim's thoughts on this subject were recorded by Axel Brüggemann. Translated by Gery Bramall.

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